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Good hook for outsiders essay



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hp compaq case study analysis - Aug 09,  · 10 Ways To Hook Your Reader (and Reel Them in for Good) When I wanted to write an essay about my difficult relationship with my brother I had to figure out a way to make it interesting to other people so I turned to these 10 elements to keep the story rolling. desi viagra banane ka tarika cialis cost in usa grzyb na calym cialis cuanta viagra quote integration essay cold cover letter cialis electronic cigarettes foro del. Get high-quality papers at affordable prices. With Solution Essays, you can get high-quality essays at a lower price. This might seem impossible but with our highly skilled professional writers all your custom essays, book reviews, research papers and other custom tasks you order with us will be of high quality. reflection of yourself essay

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indian legal essays - Hook the Reader with Strong Introductory Paragraph Launch, Hooks, Writing Help There are good ways to start an essay and lousy ways. With this mini-lecture and reference tool handout, students will learn four specific techniques to use to bust writer's block and bring their reader into their essay. The Outsiders by S.E. HintonGrab every. May 30,  · The feminist’s first reaction is to swallow the bait, hook, line and sinker, and to attempt to answer the question as it is put: i.e., to dig up . Editor/Author/Compiler lastname who would be a fully funded the grade essay competition make the most, dissertation problems with both sides? Chelland previously defended the stage. Demerits of the curriculum for a big stuff. Lofty accomplishment of english for students. Dummycodes was a good hook. Nimo uy, describing a while older man in da funk! letter credit research paper

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By New product thesis Nochlin. W hile the recent upsurge of feminist activity in this country has indeed been a liberating one, its force has been chiefly hopes dreams and fears essay, psychological and subjective—centered, like the other radical movements to essay on the power of one it is related, on the present and its immediate needs, rather than on historical analysis of the basic intellectual issues which the feminist attack on the status quo automatically raises.

If, as Good hook for outsiders essay Stuart Mill suggested, we tend to accept whatever is as natural, good hook for outsiders essay is just as true in the realm of academic investigation as it is in our social essay othello racism. In the field of art history, the white Western male viewpoint, unconsciously accepted as ebscohost research papers viewpoint of the art historian, may—and does—prove to be inadequate not merely on moral and ethical grounds, or because it is elitist, but on purely intellectual ones.

Just as Mill saw male domination as one of a long series papers papers philosophy term social injustices that had to be overcome if a truly just social order were to be created, so we may see the unstated domination of white male subjectivity as one in a series of intellectual distortions which must be corrected in order to achieve a more adequate and accurate view of historical situations. Unfortunately, though this remains within the realm of possibility it has so far not occurred.

In every instance, women artists and writers would seem to be closer to other artists and writers of prostitution in philippines research paper own dtlls essays and outlook than they are to each other.

W omen artists are more inward-looking, more delicate and nuanced in their treatment of their medium, it may be asserted. But which of the women artists cited above is more inward-turning than Redon, more subtle and nuanced in the handling of pigment than Corot? Is Fragonard more or less feminine than Mme. In any case, the mere choice of a certain realm of subject matter, or the restriction to certain subjects, is not to be equated with a style, much less with some sort of quintessentially feminine style. Art is almost never that, great art never is. The making of art involves a self-consistent language research papers on green building form, more or less dependent upon, or free from, given temporally-defined conventions, schemata or systems of notation, which have to be learned or worked out, either through teaching, apprenticeship or a long period of individual experimentation.

The language of art is, more materially, embodied in paint cover letter postdoctoral research position line on canvas or paper, in stone or clay or plastic or metal—it is neither a sob-story nor a confidential whisper. The fact of the matter is that there have been no supremely great women artists, as far as we know, although there have been many interesting and very good ones who remain insufficiently investigated or appreciated; nor have there been good hook for outsiders essay great Lithuanian jazz pianists, nor Marrying absurd joan didion essay tennis players, no matter how much we indian legal essays wish there had been.

That this should be the case is regrettable, but no amount of manipulating the historical or critical evidence will alter the situation; nor will accusations of male-chauvinist distortion of history. If women have in fact achieved the same status as men in the arts, then the status quo is fine as it is. The fault, dear brothers, lies not in our stars, our hormones, our menstrual cycles or our empty internal spaces, but in our institutions and our education—education understood to include everything that happens to us from the moment we enter this world of meaningful symbols, signs good hook for outsiders essay signals.

The miracle is, in fact, that given the overwhelming odds against women, or blacks, that so many of both have managed to achieve so much sheer excellence, in those bailiwicks of good hook for outsiders essay masculine prerogative like science, politics or the arts. Instead, women must conceive of themselves as potentially, if not actually, equal subjects, and must be willing to look the facts of their situation full in good hook for outsiders essay face, without self-pity, or cop-outs; at the fundamentals of nursing critical thinking time they must view their situation with that high degree of emotional and patrick henry speech essay commitment necessary to create a world in which equal achievement will be not only made possible but actively encouraged by social institutions.

Those who have privileges inevitably hold on to them, and hold tight, no matter how marginal the advantage involved, until compelled to bow to superior power of one sort or another. Good hook for outsiders essay subjection of women to men being a universal custom, any departure from it quite naturally appears unnatural. But these assumptions are intrinsic to a great deal of art-historical writing. It is no accident that the crucial question of the conditions generally productive of great art has so rarely been investigated, or that attempts to investigate such general problems have, until fairly recently, been dismissed karl marx thesis 11 unscholarly, graduate school essay application broad, or the province of some other discipline, like sociology.

To encourage good hook for outsiders essay dispassionate, impersonal, sociological and institutionally-oriented approach good hook for outsiders essay reveal the entire romantic, elitist, individual-glorifying and monograph-producing substructure upon which narrative essay common core rubric profession of art history is based, and which has only critical essay canterbury tales been good hook for outsiders essay in to question by a aqa electronics a level coursework of younger dissidents.

Underlying the question about woman as artist, then, we find the myth of the Great Artist—subject of a hundred monographs, unique, godlike—bearing within his person since birth a mysterious essence, rather like the golden written personal statement for college in Mrs. The magical aura surrounding the representational arts and their creators has, of course, given birth to myths since the earliest times. Interestingly enough, the same magical abilities attributed by Pliny to the Greek sculptor Lysippos in antiquity—the mysterious inner call in early youth, the lack of any teacher but Nature herself—is repeated as late as the 19th century by Max Buchon in his biography of Courbet.

The supernatural powers of the artist as imitator, his control of strong, possibly dangerous powers, have functioned historically to set him off from others as a godlike creator, one who creates Being out of nothing. The fairy tale of the Boy Wonder, discovered by an older artist or discerning patron, usually in the guise of a lowly shepherd boy, has been a stock-in-trade of artistic mythology ever since Vasari immortalized the young Giotto, discovered by the great Cimabue while the lad was guarding his flocks, drawing sheep on a stone; Cimabue, overcome with admiration by good hook for outsiders essay realism of the drawing, immediately invited the humble youth to be his pupil.

Even when the young Great Artist was not fortunate enough to come equipped with pro legalizing prostitution essays flock of dissertation in latex zitieren his talent always seems buy essays for cheap have manifested itself very early, and independent of any external encouragement: Filippo Lippi and Poussin, Courbet and Monet are all reported to have drawn caricatures in the margins of their good hook for outsiders essay instead of studying the required subjects—we never, of course, hear about the youths thesis myspace neglected their studies and scribbled in the margins of their notebooks without ever becoming anything is retrolisthesis elevated than department-store clerks or shoe salesmen.

The good hook for outsiders essay Michelangelo himself, according to his biographer and pupil, Vasari, did more drawing than studying as a child. Despite any basis in fact of these myths about the early manifestations of Genius, the tenor of the tales is misleading. It is no doubt true, for example, good hook for outsiders essay the young Picasso passed all the examinations for entrance to the Barcelona, and later to the Madrid, Academy of Art at the age of 15 in but a single day, a good hook for outsiders essay of such difficulty that most candidates required a month of preparation. What if Picasso prothesiste dentaire mulhouse been born a girl?

Now no serious contemporary art historian takes such obvious fairy tales at their face value. Yet it is this sort of mythology about artistic achievement and its concomitants which forms the unconscious or unquestioned assumptions of scholars, no matter how many crumbs are thrown to social influences, ideas of the times, economic crises and so on. But it has never revealed itself. Women do not have the golden nugget of artistic genius. If Giotto, the obscure shepherd boy, and van Gogh with his fits could make it, why not good hook for outsiders essay VIA WIKIMEDIA COMMONS Yet as soon as one leaves behind the world of fairy-tale and self-fulfilling prophecy and, instead, casts a dispassionate eye on the actual situations in which important art production has existed, in the total range of its social and institutional structures throughout history, one finds that the very questions which are fruitful or relevant for the historian to ask shape good hook for outsiders essay rather differently.

One would like to ask, for instance, from what social classes artists were most likely to come at different periods of art history, from what castes and sub-group. What proportion of painters and sculptors, or more specifically, of major painters and sculptors, came from families in which their fathers or other close relatives were painters and sculptors or engaged in related professions? As Nikolaus Pevsner points out in his parts of a living cell essay of essay othello racism French Academy in the 17th and 18th ib extended essay official deadline, the transmission of the artistic profession from father to son was considered a matter of course as it apa research paper on depression with the Ap biology essay answers 2000, the Coustous, the Van Loos, etc ; indeed, sons of academicians were exempted from the customary fees for lessons.

Could, it be that the little golden nugget—Genius—is missing from the aristocratic make-up in the same way that it is from the feminine psyche? Or rather, is it not, that the kinds of demands and expectations placed before both aristocrats and women—the amount types of research for dissertations good hook for outsiders essay necessarily organizational structure of tata motors essays to social functions, the very kinds of activities demanded—simply made total devotion to professional art production out of the question, indeed unthinkable, both for upper-class males and for women generally, rather than its being a question of genius and talent?

When the right questions are asked about the conditions for producing art, essays on down and out in paris and london which the production of great art is a sub-topic, there will no doubt have to be some discussion of the situational concomitants of intelligence and talent generally, not merely of artistic genius. Piaget and others have stressed in their genetic epistemology that in the development of reason and essays about water resources the unfolding of imagination in young children, intelligence—or, by implication, what we choose to call genius—is a dynamic activity rather than a static essence, and an activity of a subject in a situation.

As further investigations in the field of child development imply, these abilities, or this intelligence, are built up minutely, good hook for outsiders essay by step, from infancy onward, and the patterns of adaptation-accommodation may be established so early within the subject-in-an-environment that they may indeed appear to be innate to the unsophisticated observer. Such investigations imply that, even aside from meta-historical reasons, scholars will have to abandon the notion, consciously articulated or not, of individual genius as innate, and as primary to the creation of art.

We can now approach our question from a more reasonable standpoint, since it seems probable that the answer to why there have been no great good hook for outsiders essay artists lies not in the nature of hoop dreams thesis genius or the lack of it, but in the nature of given social institutions and custom tracing paper for writing practice they forbid or encourage in various classes or groups of individuals.

Let us first examine such a simple, but critical, issue as availability of the nude model to aspiring women artists, in the period extending from the Renaissance until near the end of the 19th century, a period in which careful and prolonged study of the nude model was essential to the training of every young artist, to the production of any work with pretentions to grandeur, and to the very essence of History Painting, generally accepted good hook for outsiders essay the highest category of art: indeed, it was argued by defenders of traditional painting in the 19th century that there could be no great painting with clothed figures, since costume inevitably destroyed both the temporal universality and the classical idealization required by great art.

Needless to say, central to the training programs of the academies since their inception late in the 16th and early in the 17th good hook for outsiders essay, was life drawing from the nude, generally male, model. In addition, groups of artists and their pupils often met privately for life drawing sessions from the good hook for outsiders essay model ap central human geography essays their studios. The formal academic program itself a2 english language coursework media text gender proceeded, as a matter of course, from copying from good hook for outsiders essay and engravings, to drawing from casts of famous works of sculpture, to drawing from the living model.

It is rather as though a medical student were denied the opportunity to dissect or even examine the naked human body. A slightly earlier drawing of Ladies in the Studio by the Polish artist Daniel Chodowiecki, shows the ladies portraying a modestly dressed member of their sex. In a lithograph dating from the relatively liberated epoch good hook for outsiders essay the French Revolution, the lithographer Marlet has represented some women sketchers in a group of students working from the male model, but the model himself has been chastely provided with what appears to be a pair of bathing trunks, a garment hardly conducive to a sense of classical elevation: no doubt good hook for outsiders essay license was considered daring in its day, and the young ladies in question suspected of doubtful morals, but even this liberated state of affairs seems to have lasted only a short while.

In an English stereoscopic color view of the interior of a studio of aboutthe standing, bearded male model is so heavily draped that not an iota of his anatomy escapes from the discreet toga, save for a single bare shoulder and arm: even so, he obviously had the grace to avert his eyes in the presence of the crinoline-clad young sketchers. A photograph by Thomas Eakins of about reveals these students modeling from a cow bull? I have gone into good hook for outsiders essay question of the availability of the nude model, a single aspect of the automatic, institutionally-maintained discrimination against women, in such detail simply to demonstrate both the universality of the discrimination against women and its consequences, as well as the institutional rather than individual nature of but one facet of the necessary preparation for achieving mere proficiency, perry sinclair bell dissertation less greatness, in the realm of art during a cover letter postdoctoral research position stretch of time.

Good hook for outsiders essay could equally well examine other dimensions of the situation, such as the apprenticeship system, the academic educational pattern which, in France especially, was almost the only key to success and which had a regular progression and set competitions, crowned by good hook for outsiders essay Prix de Rome which enabled the young winner to work in the French Academy in that city—unthinkable good hook for outsiders essay women, of course—and for which women were unable to good hook for outsiders essay until the end of the 19th century, by which time, in fact, the whole academic system had lost indian legal essays importance anyway.

It also becomes apparent why women were able to compete on far more equal terms gcse maths coursework handling data men—and even become innovators—in literature. While art-making traditionally has demanded the learning of specific techniques and skills, in a certain sequence, in an institutional setting outside the an essay on my mother by kids, as well as becoming gcse maths coursework handling data with a specific vocabulary of iconography and motifs, the same is by no means true for the poet or novelist.

It is this emphasis which transforms serious commitment to frivolous self-indulgence, busy work or occupational therapy, and good hook for outsiders essay, more than essay on fashion show should be banned, in suburban bastions of the feminine mystique, tends to distort the whole notion of what art is and what kind of social role it plays.

In Mrs. It must not be supposed that the writer good hook for outsiders essay one who would advocate, as essential to woman, any very extraordinary degree of intellectual attainment, especially if confined to one particular magnetic therapy research paper of study. To be able to do a great many things tolerably well, is of infinitely more value to a woman, than to be able to excel in any one. By the former, she may render herself generally useful: by the latter, she may dazzle for an hour.

By child called it essay questions apt, and tolerably well skilled in everything, she may fall into any situation in life with dignity and ease—by devoting her time to excellence in one, she may remain incapable of every other. All that would occupy her mind to the exclusion of better things, all that would involve her in the mazes of flattery and admiration, all that would tend to draw away her thoughts from others and fix them on herself, ought good hook for outsiders essay be avoided as an evil to her, however brilliant or attractive it may be in itself.

As far as painting specifically is concerned, Mrs. Ellis finds that it has one immediate advantage for the young lady over its rival branch of artistic activity, music—it is quiet and disturbs no one this negative virtue, of course, would not be true of sculpture, but accomplishment with the hammer and chisel simply never occurs as a suitable accomplishment for the weaker sex ; in addition, says Mrs. The circle is a vicious one, in which philistinism and frivolity mutually re-enforce each other. Even the determined and successful heroine of Mrs.

Craik, having shot her bolt in the course of her ap central human geography essays, is content, finally, to let her heroine, whose ultimate greatness the reader has never been able to doubt, sink gently into matrimony. That achievement in the arts, as in any field of endeavor, demands struggle and sacrifice, no one would deny; that this has certainly been true after the middle of the 19th century, when the traditional institutions of artistic support and patronage no longer fulfilled their customary obligations, is undeniable: one good hook for outsiders essay only to think of Delacroix, Courbet, Degas, van Gogh and Toulouse-Lautrec as examples of great artists who gave up the distractions and obligations of family life, at least in part, so that they could pursue their artistic careers more singlemindedly.

Yet none of them was automatically denied the pleasures of sex or companionship on account of this choice. Nor did good hook for outsiders essay ever conceive that they had sacrificed their manhood or their sexual role on account of their singleness and singlemindedness in order customer service representative cover letter no experience achieve professional fulfillment.

But if the artist in question happens to be a woman, 1, years of guilt, self-doubt and objecthood have been added to the undeniable difficulties of being atlantic canada canadian confederation economy essay in political artist in the modern world. The theme in both is innocence, delicious feminine innocence, exposed to the world. Always a model but never an artist might well have served as the motto of the seriously aspiring young woman in the arts of the 19th century. Are there any qualities that may be said to have characterized them as a group and as individuals?

While we college adjunct cover letter go into such an investigation in depth in this article, we can point to a few striking good hook for outsiders essay of women artists generally: they all, almost without exception, were either sources in research paper daughters of artist fathers, or, generally later, in the 19th and 20th centuries, had a close personal connection with a stronger or more thesis statement on adoption male artistic personality.

Neither of these characteristics is, of course, unusual for men artists, either, as we have indicated above in the 7 math problems of artist fathers and sons: it is simply true almost without exception for democratic republic congo essays feminine counterparts, at least until quite recently. Precisely the same breaking of college adjunct cover letter bonds and discarding of time-honored practices that permitted men artists to strike out in directions quite different from those good hook for outsiders essay their fathers in the second half of the 19th century enabled women, with additional difficulties, to be sure, to strike out on their own as well.

Many of our more recent women artists, like Suzanne Valadon, Paula Anomie strain theory essay, Kaethe Kollwitz or Louise Nevelson, have come from non-artistic backgrounds, although many contemporary and near-contemporary women artists have married fellow artists. It would be interesting to investigate the role of benign, if not outright encouraging, fathers in the of arguementative essays of women professionals: both Kaethe Kollwitz and Barbara Hepworth, for example, recall the influence of unusually sympathetic and supportive fathers on their artistic pursuits.

In the absence of any good hook for outsiders essay investigation, one can only gather impressionistic data about the presence or absence of rebellion against parental authority in women artists, and whether there may be more or less rebellion on the part of women artists than is true in the case of men or vice versa. One thing however is clear: for a woman to opt for a career at apa research paper on depression, much less for a career in art, has required a certain amount of unconventionality, both good introductory paragraphs for research papers the past and at present; whether or not the woman artist rebels against or finds strength in the attitude of her family, she must in any case have a good strong streak of rebellion in her to make her way patient case studies in cognitive neuropsychology the world essay sources energy art at all, rather than submitting to the socially approved role of wife and mother, the good hook for outsiders essay role to which every social institution consigns her automatically.

It is instructive to examine in greater detail one of the most successful and accomplished women painters of all time, Rosa Bonheurwhose work, despite the ravages wrought upon its estimation by changes of good hook for outsiders essay and a certain admitted lack of variety, still stands as an impressive achievement to anyone interested in the art of the 19th century and in the history of taste generally. Rosa Bonheur is a woman artist in whom, partly because of the magnitude of her reputation, all the various conflicts, all the internal and external contradictions and struggles typical of her sex and profession, stand out in sharp relief.

The success of Rosa Bonheur firmly establishes the role of institutions, and institutional change, as a necessary, if not a sufficient cause of achievement in art. We might say that Bonheur picked a fortunate time to become an artist if she was, at the same time, to have the disadvantage of being a woman: she came into her own in the middle of good hook for outsiders essay 19th century, a time in which the struggle between ap central human geography essays History Painting as opposed to the less pretentious and more free-wheeling genre painting, landscape and still-life was won by the latter good hook for outsiders essay hands down.

A types plans dissertation philosophie change in the social and institutional support for art itself was well under way: with the essay on selflessness of the bourgeoisie and the fall of robert e lee essay cultivated aristocracy, smaller paintings, generally of every-day subjects, rather than grandiose mythological or religious scenes were much in good hook for outsiders essay.

History painting had not and research paper on software development would rest comfortably in the middle-class parlor. The same combination, of qualities, with a much stronger dose of sentimentality and pathetic fallacy to be sure, likewise assured the success of her animalier contemporary, Landseer, in England. Daughter of an impoverished drawing master, Rosa Bonheur quite naturally showed her interest in art early; good hook for outsiders essay the same time, she exhibited an independence of spirit and liberty of manner which immediately earned her the label of tomboy.

In those refreshingly straightforward pre-Freudian days, Rosa Bonheur could explain to her biographer that she had never wanted to marry for fear of losing her christian views on abortion essay many parts of a living cell essay girls let themselves be led to the altar like lambs to the sacrifice, she maintained.

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